{"id":938,"date":"2016-11-02T17:06:51","date_gmt":"2016-11-02T17:06:51","guid":{"rendered":"http:\/\/bethanlloydworthington.com\/?p=938"},"modified":"2018-11-20T17:10:01","modified_gmt":"2018-11-20T17:10:01","slug":"display-case-labels-va-ceramics-residency","status":"publish","type":"post","link":"https:\/\/bethanlloydworthington.com\/?p=938","title":{"rendered":"Display Case Labels | V&#038;A Ceramics Residency"},"content":{"rendered":"<p style=\"text-align: right;\"><div class=\"minimal-wrapper\" style=\"max-width:650px;\"><div class=\"row column-row shortcode-row\"><div class=\"col-xs-12 col-md-8\"><p>The Residency Display Case forms part of the studio wall and is re-curated by each resident. The objects I chose, accompanied by short texts, were for thinking about potential connections between ceramic objects and landscape.<\/p>\n<\/div><\/div>\n<p><img decoding=\"async\" class=\"size-large wp-image-596 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-1500x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1500\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-1500x1500.jpg 1500w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-150x150.jpg 150w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-300x300.jpg 300w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-768x768.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-900x900.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503-1350x1350.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3503.jpg 2048w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1500;\" \/><\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 1<br \/>\nBottle<br \/>\nLondon, 1967<br \/>\nMade by Lucie Rie<br \/>\nStoneware, thrown and altered, using partially mixed pigmented clays<br \/>\nMuseum no. CIRC. 1227-1967<br \/>\n\u00a9Victoria and Albert Museum, London<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-606 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2006AN7585_jpg_l.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"457\" height=\"600\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 457px; --smush-placeholder-aspect-ratio: 457\/600;\" \/>Like mountains emerging through a cool glaze mist you can almost feel on your nose.<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 2<br \/>\nFlask<br \/>\nChina, Liao dynasty, 907\u20131125<br \/>\nStoneware, with green glaze<br \/>\nThis ceramic flask is in the shape of a leather bag&#8230; The leaders of the Liao dynasty belonged to the Qidan, a nomadic people who originally settled outside the borders of China. The flask imitates a portable pouch, made of animal skins<br \/>\nMuseum no. FE.49-2008<br \/>\n\u00a9Victoria and Albert Museum, London<\/p>\n<p><img decoding=\"async\" class=\"size-large wp-image-597 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-1500x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1500\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-1500x1500.jpg 1500w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-150x150.jpg 150w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-300x300.jpg 300w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-768x768.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-900x900.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520-1350x1350.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3520.jpg 1875w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1500;\" \/><\/p>\n<p><span title=\"Edited\">An object to take with you on a journey, or at least, it is the memory of that object we had with us when we were not settled. It reminds us of our sacred destination or of the back of our hat. The landscape scratches out away and past us heart-attack fast.<br \/>\n<\/span><\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 3<br \/>\nForm 4<br \/>\nFrance, Saint-Martin-de-Salencey, 2010<br \/>\nMade by Alexandra Engelfriet<br \/>\nStoneware, hand-built, wood-fired<br \/>\nMuseum no. C.13-2001<\/p>\n<p><iframe title=\"Alexandra Engelfriet\" data-src=\"https:\/\/player.vimeo.com\/video\/200018837?dnt=1&amp;app_id=122963\" width=\"480\" height=\"272\"  allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>Fired in a trench kiln dug into the ground in an umbilically direct relationship with Saint- Martin-de-Salencey.<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 4<br \/>\nBowl<br \/>\nChina, mid 18th century, decorated in<br \/>\nLondon about 1760<br \/>\nProbably decorated in the workshop of James Giles<br \/>\nPorcelain, painted in enamels and gilded<br \/>\nMuseum no. C.143-1945<br \/>\n\u00a9Victoria and Albert Museum, London<\/p>\n<p><img decoding=\"async\" class=\"size-large wp-image-599 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607-1500x1000.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1500\" height=\"1000\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607-1500x1000.jpg 1500w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607-768x512.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607-900x600.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607-1350x900.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3607.jpg 2048w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1000;\" \/><\/p>\n<p><span title=\"Edited\">Consider this a placeholder for the notion of the idealised landscape.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: right;\">Objects 5<br \/>\nVases, bookends and a beaker<br \/>\nEngland, Staffordshire, designed 1933\u20139<br \/>\nDesigned by Keith Murray, made by Josiah Wedgwood &amp; Sons<br \/>\nEarthenware, with matt glazes<br \/>\nMuseum nos. Circ.602-1954, Circ.531,<br \/>\n544 to 546-1974, Circ.261, 266,<br \/>\n268, 658&amp;A, 679-1975<\/p>\n<p><iframe title=\"Keith Murray, Wedgwood\" data-src=\"https:\/\/player.vimeo.com\/video\/200018553?dnt=1&amp;app_id=122963\" width=\"480\" height=\"480\"  allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>You do not have to clip it<br \/>\nTo maintain its shape only hold it with<\/p>\n<p>two hands<br \/>\nby bole not branch<br \/>\nabove a surface higher than the ground<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 6<br \/>\nIncense burner<br \/>\nChina, Eastern Han dynasty, ad 25\u2013220 Red earthenware, with green glaze<br \/>\nHill censer (boshanlu) with goblet-shaped bowl set in a wide saucer; red earthenware with green lead glaze much perished and encrusted with silvery white iridescence; flat base with &#8220;thread mark&#8221;. Fitted with a cover (the cover does not belong) of cone-shape moulded and pierced, with a design of hills on which are animals and figures on foot and horseback hunting with bows.<br \/>\nMuseum no. C.818&amp;A-1936<br \/>\n\u00a9Victoria and Albert Museum, London<\/p>\n<p><img decoding=\"async\" class=\"size-large wp-image-601 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686-1000x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1000\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686-1000x1500.jpg 1000w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686-768x1152.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686-900x1351.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686-1350x2026.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3686.jpg 1365w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/1500;\" \/><\/p>\n<p><span title=\"Edited\">\u201cThe smoke from the incense would envelope the mountain like a kind of supernatural fog.\u201d<\/span><\/p>\n<p>&#8211; Historical Context note, V&amp;A online catalogue, collections.vam.ac.uk<\/p>\n<hr \/>\n<p style=\"text-align: right;\"><span title=\"Edited\">Object 7<br \/>\nDish<br \/>\nNetherlands, Delft, 1660\u201390<br \/>\nTin-glazed earthenware with marbled decoration<br \/>\nMuseum no. C.64-1939<br \/>\n\u00a9Victoria and Albert Museum, London<\/span><\/p>\n<p><img decoding=\"async\" class=\"size-large wp-image-602 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720-1125x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1125\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720-1125x1500.jpg 1125w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720-768x1024.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720-900x1200.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720-1350x1800.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/IMG_3720.jpg 1536w\" data-sizes=\"(max-width: 1125px) 100vw, 1125px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1125px; --smush-placeholder-aspect-ratio: 1125\/1500;\" \/><\/p>\n<p>What if I say this is a cave?<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 8<br \/>\nModel of a sheep pen 9 China, Eastern Han dynasty, ad 25\u2013220<br \/>\nEarthenware, with green glaze<br \/>\nMuseum no. C.884-1936.<br \/>\nPurchased with the assistance of the Art Fund, the Vallentin Bequest, Sir Percival David and the Universities China Committee<\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" class=\"aligncenter size-large wp-image-611 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-1500x1125.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1500\" height=\"1125\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-1500x1125.jpg 1500w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-768x576.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-600x450.jpg 600w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-900x675.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500-1350x1013.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2011EM6828_2500.jpg 2048w\" data-sizes=\"(max-width: 1500px) 100vw, 1500px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1500px; --smush-placeholder-aspect-ratio: 1500\/1125;\" \/><\/p>\n<p style=\"text-align: left;\">Through the hatch, see their knees and private green hooves.<\/p>\n<p>From the sky the ridges on the backs of the sheep are sharper than spines should be. This line continues \u2019cross unfettled foreheads. Once you\u2019ve seen the symmetry of the mould you can\u2019t not. On that point &#8211; isn\u2019t the shepherd\u2019s head long? With his face of mean stabs to let the dark out.<\/p>\n<p>It\u2019s too long, really, that head. The dawning that&#8230; it stands to symmetry that&#8230;. there must be another face around the back. Might be a smoothish one, features healed up, but still. Imagine having to take him to the grave thank you no.<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 9<br \/>\nSaucer 10 Switzerland, Heimberg, about 1871<br \/>\nEarthenware, splashed slip under a clear<br \/>\nglaze<br \/>\nMuseum no. C.618A-1921.<br \/>\nGiven by the Royal Commissioners for the 1851 Exhibition<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-609 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1180\" height=\"1180\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500.jpg 1180w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500-150x150.jpg 150w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500-300x300.jpg 300w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500-768x768.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EA2553_2500-900x900.jpg 900w\" data-sizes=\"(max-width: 1180px) 100vw, 1180px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1180px; --smush-placeholder-aspect-ratio: 1180\/1180;\" \/><\/p>\n<p>I saw the saucer and I heard the word \u201cPwll\u201d*<\/p>\n<p>\u201cPwll\u201d<\/p>\n<p>\u201cPwll\u201d<\/p>\n<p>\u201cPwll\u201d<\/p>\n<p>Splashing into my hollow head.<\/p>\n<p>*The Welsh word Pwll translates as Pool or Hollow. I don\u2019t have very many Welsh words, so the ones I do have can feel very strong and undiluted by chitchat.<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 10<br \/>\nFigure 11 Germany, Ho\u0308chst, late 18th century<br \/>\nPorcelain, painted in enamels<br \/>\nMuseum no. C.64-1927.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-large wp-image-610 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500-1000x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1000\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500-1000x1500.jpg 1000w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500-768x1152.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500-900x1351.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500-1350x2026.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2010EC4755_2500.jpg 1666w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/1500;\" \/><br \/>\nDon\u2019t be dazzled by seasonal narcissism. This is not about her but about what\u2019s beneath her feet.<br \/>\nFigures must stand on something or fall over so it is pragmatic, if literal, to make this the ground. The green grass goes at the top, the brown soil underneath at the sides. A cut-out chunk of earth and turf like when the digger hits the pasture.<\/p>\n<hr \/>\n<p style=\"text-align: right;\">Object 11<br \/>\nFigure<br \/>\nItaly, Doccia, about 1770<br \/>\nMade by the Doccia porcelain factory Porcelain, painted with enamels and gilded<br \/>\nMuseum no. 378-1902. Given by Col. Waldo-Sibthorp<br \/>\n<img decoding=\"async\" class=\"aligncenter size-large wp-image-612 lazyload\" data-src=\"http:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500-1125x1500.jpg\" alt=\"Bethan Lloyd Worthington Residency Display Case V&amp;A\" width=\"1125\" height=\"1500\" data-srcset=\"https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500-1125x1500.jpg 1125w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500-768x1024.jpg 768w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500-900x1200.jpg 900w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500-1350x1800.jpg 1350w, https:\/\/bethanlloydworthington.com\/wp-content\/uploads\/2016\/12\/2009CT0761_2500.jpg 1536w\" data-sizes=\"(max-width: 1125px) 100vw, 1125px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1125px; --smush-placeholder-aspect-ratio: 1125\/1500;\" \/>A flouro-marble outcrop will match her pants and save having to mix another paste. She will be fine on there. Forever.<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-938","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/posts\/938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=938"}],"version-history":[{"count":1,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/posts\/938\/revisions"}],"predecessor-version":[{"id":939,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=\/wp\/v2\/posts\/938\/revisions\/939"}],"wp:attachment":[{"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bethanlloydworthington.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}