{"id":19,"date":"2014-01-03T22:04:27","date_gmt":"2014-01-03T22:04:27","guid":{"rendered":"http:\/\/bethanlloydworthington.com\/\/?page_id=19"},"modified":"2026-07-24T15:18:41","modified_gmt":"2026-07-24T14:18:41","slug":"about","status":"publish","type":"page","link":"https:\/\/bethanlloydworthington.com\/?page_id=19","title":{"rendered":"CV & Contact"},"content":{"rendered":"
\n

Contact<\/strong>
\nbethan@bethanlloydworthington.com
\nInstagram @bethan_lloyd_worthington<\/a>
\n<\/a><\/span><\/p>\n<\/header>\n

\n

 <\/p>\n

<\/strong><\/p>\n
<\/div>
<\/div><\/div>Born 1982
\nLives and works in Sheffield<\/p>\n

 <\/p>\n

Selected Exhibitions
\n<\/strong>2026<\/strong>
\n<\/span>Slip, <\/span><\/i>Oceans Apart Gallery, Salford curated by Linda Hemmersbach and Ruth Murray
\n<\/span>Miart Milano with Corvi-Mora Gallery
\n<\/span>2025<\/strong>
\n<\/span><\/i>The Fragmented Landscape<\/span><\/i>, Ruup & Form, London curated by Katie Spragg and Varuna Kollanethu
\n<\/span>2024-25<\/strong>
\n<\/span>Boundary Trembling<\/span><\/i>, solo presentation, Corvi-Mora Gallery, London
\n<\/span>2023<\/strong>
\n<\/span>New Areas: Contemporary Ceramics at Walmer Yard and Newstead Abbey, curated by Tommaso Corvi-Mora
\n<\/span>2021
\n<\/strong>Pleasure Garden<\/em>, Deene Park. Come to Naught<\/em>, Kingsgate Project Space w. Kristian Day Gallery
\n<\/strong>2020
\n<\/strong>Jerwood Makers Open, touring Manchester Art Gallery, Visual Arts Centre and Torre Abbey (2021). HYPERTEXT virtual art book fair
\n<\/strong>2019
\n<\/strong>Odds, TOMA Project Space, Southend.\u00a0
\n<\/strong>Art Night Open with SHELL LIKE<\/a>, Walthamstow.
\nVerso Nuovi Canoni<\/em>, ICA Milano.
\nJerwood Makers Open\u00a0<\/a>Jerwood Space, London, touring nationally until 2021
\nFfynnon Gwenfaen<\/em>,\u00a0Studio Cybi<\/a>\u00a0at Gwenfaen’s Well, Holy Island, Anglesey
\n2018<\/strong>
\nBound Art Book Fair, The Whitworth, Manchester
\nOriel Davies Open, Newtown
\nWindswept Baby<\/em><\/a>, Victoria & Albert Museum. Solo exhibition and book<\/a> in collaboration with invited writers. Supported by ACE
\n2017\u2028<\/strong>
\nShell-Lit Siambr<\/em><\/a>, Sidney Cooper Gallery, Canterbury. Solo
\nSummer Auction, Syson Gallery Nottingham
\nThe John Ruskin Prize, Millennium Gallery
\nResidency display, Victoria & Albert Museum
\n2015<\/strong>
\nThe Bridestones<\/em><\/a>, Award, British Ceramics Biennial
\nMany a Slip<\/em>, Marsden Woo summer show, curated by Alison Britton
\nShelfie<\/em>, Manifold select from V&A collection
\n2014\u2028<\/strong>
\nPots and Possibilities<\/a><\/em>, Petrie Museum of Egyptian Archaeology, UCL
\n2013
\n<\/strong>Under The Influence<\/em> & Unfold<\/a><\/em>, Siobhan Davies Studios, with Manifold, invited by 60|40
\nDanske Oldtidsminder<\/em><\/a>, Apple House Gallery, Guldagergaard International Ceramics Research Centre
\nCreekside Open 2013 Selected by Ceri Hand, A.P.T. Gallery
\nThe Reveal<\/em><\/a> (Streethouse Excavations\u2028 Residency), Class 1 Gallery, Saltburn
\nForming Word<\/em>s, Flow Gallery, London
\n2012<\/strong>
\nAppropriate Response<\/em>, Vulpes Vulpes, London
\nThe Art of Survival and The Ritual Killing of Objects<\/a><\/em>, Airspace Gallery
\nThis Is How To Live<\/a><\/em>, Manifold & National Trust, 2 Willow Road & Red House
\nTwo permanent commissions<\/a> for THH, curated by Artsadmin
\n2011<\/strong>
\nJerwood Drawing Prize, Jerwood Space
\nFresh<\/em>, BCB, Stoke-On-Trent
\nStick-Up<\/em>, Airspace Gallery
\n\u20282010<\/strong>
\nHotShoe Gallery, London & Galleria Uno Pia Uno, Milan
\nSHOW1, The Henry Moore Gallery, RCA
\nOberon Illustration Awards, RCA (& 2009)\u20282009
\nEinfall<\/em>, The Freud Museum
\n\u20282004 \u2013 2009<\/strong> Various UK & US<\/p>\n

\n<\/div>

Writing
\n<\/strong>On breaking ground<\/span><\/i>, included in the publication for <\/span>The Fragmented Landscape<\/span><\/i> group exhibition at Ruup & Form, London, 2025
\n<\/span>Vittles Kids: A Sunday Supplement<\/i>, contributor
\nBrilliance<\/span><\/i>, lyric essay published as part of the solo show <\/span>Boundary Trembling<\/span><\/i> at Corvi-Mora Gallery, London, 2024
\n<\/span>The Ambataros || The Witness Section<\/span><\/i>, artists book produced at London Centre for Book Arts, 2020
\n<\/span>Making all the greens unstable<\/span><\/i>, leaflet work produced as part of Jerwood Makers Open 2019
\n<\/span>The filthy wallpaper<\/em> or Sill Sigilata<\/em>, Commissioned by artist Emily Speed as part of the book TERRA COTTA
\nThe image of wherever it is placed<\/a>, Commissioned by designer Ian McIntyre for the launch of the re-engineered Brown Betty teapot<\/p>\n

Residencies<\/strong>
\n2016-17<\/strong> Artist in Residence, Victoria & Albert Museum, Ceramics
\nWorking week with Grizedale Arts at the Irish Museum of Modern Art, Dublin (Aug 2016<\/strong>). Volunteer residency, Grizedale Arts, Coniston (Apr 2015<\/strong>)
\n2014<\/strong>\u00a0Petrie Museum of Egyptian Archaeology, UCL
\n2013<\/strong> Guldagergaard International Ceramics Research Centre
\n2012<\/strong> Airspace Gallery & Potteries Museum, Conjunction 12, The Art of Survival.
\nStreet House Archaeological Dig, Loftus, North Yorkshire
\n2009<\/strong> Royal Crown Derby Factory<\/p>\n

Education
\n<\/strong>Arts practice-based PhD candidate, Department of Geography, Royal Holloway, University of London. Gully Cave: Modelling Creative Inhabitations of Refugia<\/em>. Supported by The Kate & Gareth Griffith Scholarship in Quaternary Science, 2019 onwards, viva anticipated 2026.<\/p>\n

MA Ceramics and Glass, Excellent Pass
\nRoyal College of Art 2010
\nPersonal tutor Alison Britton OBE<\/p>\n

BDes 3D Design, First class honours with distinction
\nManchester Metropolitan University 2006
\n(& Blaker Akershus College, Norway, Spring term 2003)<\/p>\n

Awards
\n2018 <\/strong>ACE Grants for the Arts, Windswept Baby at the V&A
\n<\/strong>2017<\/strong> The John Ruskin Prize, Second Prize
\n2011<\/strong> The Jerwood Drawing Prize, shortlisted
\n2010<\/strong> John Norris Wood Natural Forms Drawing Prize, Highly commended
\n2006<\/strong> CPA Charitable Trust, St Petersburg research trip<\/p>\n

Collections<\/strong>
\nNational Art Library, V&A
\nNational Museums Liverpool
\nManchester Metropolitan University
\nThe Grainer Collection of Contemporary British Studio Ceramics, US<\/p>\n

Other<\/strong>
\nTeaching including V&A Schools programme, various primary and secondary schools, universities, gallery and museum programmes and adult workshops.<\/p>\n

a-n Artists Council member, outgoing 2022<\/p>\n

\n<\/div><\/div>\n

<\/div><\/strong><\/p>\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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